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Digital Photography

Frontal Fill Flash

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Language: english
Skill level:
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Summary:

In this film, photographer Martin Krolop covers the exciting topic of fill flash. Using a fill flash is not only for use at night or during low light situations, but it can also be used on a bright sunny day. In this basics course, Krolop gives us practical information on how to achieve professional looking photos using a built-in flash.

Most photographers have at one point or another run into a problem when they are photographing outside using a fill flash. The most common dilemma being either the main subject, model or friend is underexposed, or the sky is underexposed. One way to remedy the problem is to use exposure compensation and dictate the camera to underexpose the subject and let the flash do the rest.

As we look at Krolop's test photos we can see that this easy little trick results in a correctly exposed sky as well as a correctly exposed main subject. In conclusion, Krolop's demonstration photos and useful information will help photographers get better pictures simply by using the flash in manual mode.

Based out of Bonn, Krolop comprises half of the creative team at Krolop & Gerst photography. Combining traditional photography techniques with the latest technology and software, Krolop and Gerst specialize in editorial, fashion, location and wedding photography, providing excellent visual solution services to many satisfied clients.

The Hyperfocal Distance

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Runtime - length of the film: 6m10s
Language: english
Skill level:
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Summary:

In this FotoTV feature, Ralph Lambrecht demystifies hyperfocal distance and depth of field zones. Lambrecht explains two definitions of the hyperfocal distance, the first is the closest distance at which a lens can be focused while keeping objects at infinity acceptably sharp, the focus distance with the maximum depth of field.

When the lens is focused at this distance, all objects at distances from half of the hyperfocal distance out to infinity will be acceptably sharp. Second, the hyperfocal distance is the distance beyond which all objects are acceptably sharp, for a lens focused at infinity.

The hyperfocal distance is entirely dependent upon what level of sharpness is considered to be acceptable and as we learn from Lambrecht, the most most significant variable of the hyperfocal distance is lens aperture and its respective settings. This allows for selective focus to implement creative applications in photography to either highlight or emphasize an element or area of a scene.

Smoke Photography

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Runtime - length of the film: 10m27s
Language: english
Skill level:

Summary:

In this video Herbert Wannhoff shows us how to play with smoke.

Herbert has first hand experience with smoke and has conquered the technical challenges .A black background, two lights, directional shades for lights and camera, incense sticks and you're there.

This list of easily assembled props are utilized to optimum effect. Smoke is not very easily captured but Herbert shows us how these simple easy to find items can make the task easier.

After assembling the items and a few  tests to determine the settings, the fire is lit and we're off on a smokey journey of swirling images, billowy dream clouds held only by one's imagination.

 

New Features in Lightroom 3 (Beta)

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Runtime - length of the film: 20m51s
Language: english
Skill level:
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Summary:

Adobe Lightroom 3 is the free public beta version which Marc Ludwig and his guest speaker, Thorsten Kieslich are here today to demystify the new improvements of Lightroom 3 in this comprehensive tutorial for FotoTV Tech.

Adobe has released a beta version of its Photoshop Lightroom 3 workflow and image editing software. Available immediately for free download from Adobe Labs, the new version includes features such as 'intuitive' importing, improved noise reduction, enhanced slideshows and direct online publishing options such as Flickr.

Kieslich describes that Lightroom 3 beta has been completely redesigned with under-the-hood efficiencies to better handle growing image libraries and improves responsiveness with a higher-quality processing engine. In the Library module, a rebuilt import system makes bringing photos into the software more intuitive. Users can easily specify the source and destination of their images, and save common processing, metadata or destination settings as easy-to-reuse presets.

The Library module also includes new capabilities to publish collections on popular photo-sharing sites. Flickr users now have direct access to their accounts from within Lightroom and can drag and drop images directly into their Photostreams. Flickr Pro account users can automatically synch their images and even view comments made on Flickr directly within the Library. This functionality can be extended to additional sites by adding them as new plug-ins once they become available.

Some important and fun new functions and techniques that have been completely redesigned are:

(1) Importing has been redesigned with a new import window that lets you easily see where your images are coming from and where they’re going, with lots of little improvements and enhancements to make the process easier and much more visual.

(2) Drag and Drop Publishing to the Web (and more). Now you can just drag and drop an image to have it automatically published directly from Lightroom right up to Flickr, or directly to an iPhone sync folder, etc..

(3) Pro-level Noise Reduction. This is an area that Lightroom always lagged behind on, but now they have real pro-level noise reduction that competes, or beats, about anything out there (especially because it can do its noise reduction at the Raw file level, rather than on a processed 8-bit file).

(4) Built-in Film Grain feature. There’s been a lot of buzz recently about bringing back that film-grain look, and now that’s built right in.

(5) Better vignetting by a long shot. They really enhanced the post crop vignetting, and now post crop gives you a much better looking, and more natural result (and you have two choices for the type of vignetting effect as well).

(6) You can finally export a slideshow with music embedded in the slideshow (at last), and you can have your slideshow automatically sync the length of the slideshow to the length of your song. Plus, they made it so, on a Mac, you don’t need to use iTunes to host your slideshow music.

(7) Real watermarking is here. Now you can create real watermarks, at different sizes and opacities, and put them where you want them, for both web and print.

(8) Create print layouts with photos wherever you want them. Now there’s a Custom Print Package feature that lets you put as many photos, in whatever shape and size, on the page wherever you want them (you’re no longer restricted to use a grid of uniform cells), so now you can really come up with some creative print layouts without having your hands tied.

(9) You can change the background color for prints. Now you can choose any color as your background for printed pages. I know it sounds like a little thing, but it’s big.

(10) The Collections panel is now in the Develop Module, too. This one addition will dramatically increase your efficiency because now you don’t have to constantly switch back and forth between the Library Module and Develop Module, because you can get to all your collections and images from right within the Develop Module itself.

Have fun discovering the new and improved Adobe Lightroom 3!

Highlights in Low Light

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Runtime - length of the film: 15m19s
Language: english
Skill level:
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Summary:

At a time when most photographers are finished shooting for the day, photographer Martin Krolop is just getting started. Armed with his trusty Canon 50d speed-light Krolop brings us another sure to be appreciated topic, this time producing exciting portrait photos at night.

Krolop demonstrates how to combine the use of available light, a flash and the night setting as a backdrop, to enhance and compliment the overall picture of nighttime portrait photography. He begins by explaining the lighting techniques under different lighting conditions at night, then demonstrating for the viewers step-by-step the various technical aspects of the shoot such as, selected aperture and exposure, as well as the chosen lens and respective focal depth. He also explains with the help of two test shots the importance of using a wider composition in combination with a wide aperture, "Since the depth of field is very sensitive under such low light conditions the area of sharpness comprises only a few centimeters when shooting portrait shots at night", says Krolop.

On average, during the night most light comes from above and it is these street-lamps and other light sources that produce an unappealing sinister look in portraiture. As Krolop continues with test shots, we learn the best solution to remedy this situation is a fill flash, which actually in most situations adds the finishing touch to photographing a beautiful portrait at night.

In another setup Krolop uses a wonderful background light scenario with his model placed in the foreground to add depth and layers to his photo. Specifically, in this case the light comes from the background, not from above. In order to capture the pleasant light ambience of the background as well as keep his main subject the main point of interest Krolop illuminates her face from the front, which results in a synchronized lighting effect between the subject and background.

Background light at night is static, meaning, it is what it is and cannot be influenced or changed, therefore using a flash on the subject will only affect the subject. In order to use lights in the background a part of the overall composition when photographing portraits at night, Krolop explains that a high ISO, a wide aperture and fast shutter speed must be used. Since the background lights are as bright as they can be, only the subject is affected from the front by the flash illumination and preceding camera settings accordingly.

One superb highlight of the video is Krolop taking shots in the photo-series mode, using the AF micro adjustment focusing mode on the Canon 50d, producing six pictures per second as the model walks toward him, in various poses and positions, creating a eye-catching flow of movement throughout the composition. In conclusion, Krolop recommends when shooting in extreme lighting conditions to always use the middle focal point to measure focus.

Based out of Bonn, Krolop comprises half of the creative team at Krolop & Gerst photography. Combining traditional photography techniques with the latest technology and software, Krolop and Gerst specialize in editorial, fashion, location and wedding photography, providing excellent visual solution services to many satisfied clients.

Photo Editing Software for Mac

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Runtime - length of the film: 15m36s
Language: english
Skill level:
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Summary:

FotoTV has developed FotoTV-Tech, a forum within the FotoTV platform, dedicated to covering all technology related topics such as camera hardware, software services and products.

For the first installment FotoTV founder Marc Ludwig has invited photographer and podcaster Bastian Wölfle of Digitalupgrade.de, to discuss and demonstrate several photo-editing software applications for photographers using the Mac platform. The first and most basic photo viewing and editing application is Apple’s factory delivered Preview. Wölfle demonstrates a few of the features and explains that Preview offers basic image correction tools, cropping and rotation tools. A very impressive photo editing software tool is Cooliris.

Wölfle gives us an introduction to some of the stylish features including a stunning 3D viewing Wall, noting that it is the fastest way to browse photos from the web or computer desktop, as well as the fastest way to search Google Image Search. For photographers who have a story to tell, there is FotoMagico from Boinx.com, award-winning storytelling software for photographers. As Wölfle demonstrates, with just a few simple clicks photographers can turn pictures into a neat story, even mixing photos and audio soundtracks to create professional looking and sounding slide-shows that can be shared in high resolution.

One last and clever highlight of the video is Posterazor, a photo editing software that provides photographers with a fast and efficient way of cutting large file format photos which can be printed out and later assembled as a poster. The application is really helpful for photographers who have images that are too big to print on a home printer. Have fun photo-editing!

Photo Apps for the iPhone

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Runtime - length of the film: 11m46s
Language: english
Skill level:

Summary:

FotoTV has developed FotoTV-Tech, a forum within the FotoTV platform, dedicated to covering all technology related topics such as camera hardware, software services and products.

For this further installment of FotoTV Tech, founder Marc Ludwig has invited photographer and podcaster Bastian Wölfle of Bitnapping.tv, to discuss and demonstrate several innovative iphone applications.

Wölfle gives us his first introduction to a special iphone app capable of giving high quality and shake free photos. Some of the camera applications include guides and zoom, turning a normal iphone camera into something more professional. Another highlight is the iphone app "panorma" which takes a series of photos, pasting them together into one panorama photo.

Moving along, Ludwig explains the iphone app, "old camera" which gives special features such as silver, vignetting and sepia, definitely something special for photographers who grew up using a traditional color camera. Another very innovative iphone app is one that allows you to crop your photos right on your camera, as well as adjust exposures without any additional software needed.

Have fun with your iphone apps!

Animal Photography with Ruth Marcus II

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Runtime - length of the film: 16m54s
Language: english
Skill level:

Summary:

In this second film installment, animal photographer specialist Ruth Marcus demonstrates the best techniques and unique approach to shooting animals.

In the first film installment Marcus shared many of her favorite tricks and techniques, as well as her favorite camera systems she likes to work with. This time, she focuses more on the emotional and personal aspects involved in her work. Marcus believes that photography in general is more about what a photographer has to say, highlighting the importance of a personal perspective-- what a photographer thinks, feels and observes when photographing.

Technically, Marcus takes pride in perfecting her images, something she does with ease and so well. Her photos are noble and vivid, always telling an insightful story of the subtle movement so critical in animal photography.

Marcus never allows herself to take a boring picture, rather she'll walk around the animal, positioning herself in different, almost unconventional perspectives to get an authentic shot that conveys her individual impression of the scene.

Once again it is amusing, although educating, to see Marcus playing her harmonica to urge dogs to howl. Albeit, it goes without saying that the simplest approach to shooting animals is probably the best as Marcus demonstrates during the film, feeding treats to her four-legged models.

For most photographers taking photos of animals can be quite a challenge, but with Marcus's easy to follow specialized techniques, existing animal photographers and amateurs alike will benefit from her animal-friendly approach that certainly will help photographers capture the best possible results.

Animal Photography with Ruth Marcus

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Runtime - length of the film: 18m06s
Language: english
Skill level:
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Summary:

In this film animal photographer Ruth Marcus discusses her amazing work and her unique approach toward working with her favorite animals.

Marcus became a photographer professionally about 5 years ago. Having been formally educated in medical surgery, the way to becoming a photographer was not always a clearly defined one. She worked for years as a medical surgeon before deciding that photography was what she wanted to do, and she made the decision to give it one hundred percent. Initially she began shooting and encountered a few “beginners setbacks”. But this did not discourage her so she continued full throttle, creating some stunning pictures that eventually led to her first book deal. At a photography convention in Berlin, a publisher from a well-known publishing house approached her and remarked on her photographs of dogs. The publisher was immediately enthralled by her unique style and offered her a book project, which was later titled “Dog Moments”. After this point Marcus was clear that not only was she on her way to becoming a professional photographer, but a photographer with a very unique style with an uncanny way of presenting her perspective.

Throughout the film Marcus shares many of her favorite tricks and techniques, as well as her favorite camera systems she likes to work with. Also of importance is that she swears by “Photoshop” and all it has to offer photographers, or the term she likes so well “photo-graphic artists”. Most likely, her love of Photoshop is due to the fact that she has met the Photoshop Guru himself, Doc Bauman. This meeting has definitely left an impression on Marcus and she continues to be inspired by him today.

Marcus also discusses her style of photography, saying, “Technical perfection is not important, the idea is…the soul of the photograph itself”. But it is clear when we look at her work, she definitely has mastered her technique marvelously. Her clean, crisp backgrounds and stark emotions from the animals she photographs harmonize in synchronicity, sometimes the animals reminiscent of movie stars.

What is most pleasing is to watch Marcus playing her harmonica to urge the dogs to yowl for a photo. It is not surprising to see her join right in, yowling in unison with her dog. She feels that photographing animals is all about intimacy and distance. She builds up a high level of trust with her subjects, giving us image after beautiful image.

Gigapanorama

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Runtime - length of the film: 14m35s
Language: english
Skill level:
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Summary:

In this film, FotoTV founder Marc Ludwig visits the Museum for Industrialization in Wuppertal to test the GigaPan robotic device, a tripod-mounted, motorized camera robot that automates the process of creating massive, gigapixel-size panoramas. Beginning with complete theoretical aspects, we learn from Ludwig that the GigaPan is really quite easy and uncomplicated to handle.

Almost any compact digital camera will fit onto the adjustable mounting plate. Moving on to practical examples, and after a short calibration of the manual settings on the digital camera, Ludwig sets up a scene to photograph while discussing the importance of specific settings crucial to shooting panoramas with the GigaPan. The device works by taking many zoomed-in shots of a chosen scene, with each one at a slightly different angle.

These photographs are then stitched together seamlessly by GigaPan’s software, on the computer. In conclusion, GigaPan produces astonishing detail, is amazingly simple to operate, and an overall well-built device that creates photos that are artistically good as well as technically interesting.