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Digital Image Editing

Dataformats

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Runtime - length of the film: 14m34s
Language: english
Skill level:
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Summary:

In this film Karsten Franke gives us a Photoshop video tutorial explaining the various data file formats in Photoshop and their specific functions for a certain situation when saving, printing, and sending your images, while taking into consideration image, output or file size attributes.

Franke demonstrates with practical step-by-step instructions the various standard data formats available in Photoshop such as, TIFF, PSD, and JPG. He also discusses two formats more specific to printing such as, EPS and PDF. Another topic covered are the various compression modes available and examples of appropriate situations any individual mode should be implemented.

This is a very useful tutorial for new photographers or photographers who want to get optimal results for their professional images.

FotoTV.News 4: Photoshop CS5 (beta) released

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Runtime - length of the film: 23m49s
Language: english
Skill level:
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Summary:

The News highlights from the fourth English edition of FotoTV News Show:

Photoshop CS5 (beta) released - Torsten Kieslich takes a look on the new features:

  • Camera Raw 6.0
  • HDRpro
  • Content Aware
  • Mini Bridge

a new webtip: sleeveface.com

Portfolio: The photographs of Leonard Nimoy  

You can download a podcast of this news show at

http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewPodcast?id=346566809

Heavyweight Image Editing

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Runtime - length of the film: 15m50s
Language: english
Skill level:
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Summary:

For this further installment of FotoTV Tech, Marc Ludwig has invited photographer Andre Brockschmidt and Photoshop artist, Ruben Schmidt of www.equipment-calender.com, to discuss the top-selling heavy construction equipment calendar, as well as demonstrate several Photoshop compositing techniques.

Brockschmidt gives us some very insightful information, including showing us some behind the scenes video on location while shooting under some very extreme conditions. Using up to 25 images per shot the calendar project had a budget of about EUR 100.000. The calendar has been a top-seller due to the extremely unique perspective showcasing large construction vehicles, on spectacular backdrops in a way we have never seen before.

In conclusion, Photoshop artist Schmidt demonstrates how he brings all the separate images together to compose one very impressive shot, which incidentally, can take up to three days to complete.

Adjusting Eyes

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Runtime - length of the film: 7m58s
Language: english
Skill level:
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Summary:

In this film for FotoTV, Karsten Franke shows us how to Enhance Eyes using Photoshop Quick Mask Mode - as all photographers know, the eyes are one of the most important parts of a portrait, and usually the first thing we notice. Therefore, a small amount of enhancement on the eyes can go a very long way to producing a portrait with real zing.

Frankes's step by step tutorial shows an example of the Quick Mask mode being used to select the pupils of the eye so they can be adjusted using an adjustment layer. 

New Features in Lightroom 3 (Beta)

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Runtime - length of the film: 20m51s
Language: english
Skill level:
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Summary:

Adobe Lightroom 3 is the free public beta version which Marc Ludwig and his guest speaker, Thorsten Kieslich are here today to demystify the new improvements of Lightroom 3 in this comprehensive tutorial for FotoTV Tech.

Adobe has released a beta version of its Photoshop Lightroom 3 workflow and image editing software. Available immediately for free download from Adobe Labs, the new version includes features such as 'intuitive' importing, improved noise reduction, enhanced slideshows and direct online publishing options such as Flickr.

Kieslich describes that Lightroom 3 beta has been completely redesigned with under-the-hood efficiencies to better handle growing image libraries and improves responsiveness with a higher-quality processing engine. In the Library module, a rebuilt import system makes bringing photos into the software more intuitive. Users can easily specify the source and destination of their images, and save common processing, metadata or destination settings as easy-to-reuse presets.

The Library module also includes new capabilities to publish collections on popular photo-sharing sites. Flickr users now have direct access to their accounts from within Lightroom and can drag and drop images directly into their Photostreams. Flickr Pro account users can automatically synch their images and even view comments made on Flickr directly within the Library. This functionality can be extended to additional sites by adding them as new plug-ins once they become available.

Some important and fun new functions and techniques that have been completely redesigned are:

(1) Importing has been redesigned with a new import window that lets you easily see where your images are coming from and where they’re going, with lots of little improvements and enhancements to make the process easier and much more visual.

(2) Drag and Drop Publishing to the Web (and more). Now you can just drag and drop an image to have it automatically published directly from Lightroom right up to Flickr, or directly to an iPhone sync folder, etc..

(3) Pro-level Noise Reduction. This is an area that Lightroom always lagged behind on, but now they have real pro-level noise reduction that competes, or beats, about anything out there (especially because it can do its noise reduction at the Raw file level, rather than on a processed 8-bit file).

(4) Built-in Film Grain feature. There’s been a lot of buzz recently about bringing back that film-grain look, and now that’s built right in.

(5) Better vignetting by a long shot. They really enhanced the post crop vignetting, and now post crop gives you a much better looking, and more natural result (and you have two choices for the type of vignetting effect as well).

(6) You can finally export a slideshow with music embedded in the slideshow (at last), and you can have your slideshow automatically sync the length of the slideshow to the length of your song. Plus, they made it so, on a Mac, you don’t need to use iTunes to host your slideshow music.

(7) Real watermarking is here. Now you can create real watermarks, at different sizes and opacities, and put them where you want them, for both web and print.

(8) Create print layouts with photos wherever you want them. Now there’s a Custom Print Package feature that lets you put as many photos, in whatever shape and size, on the page wherever you want them (you’re no longer restricted to use a grid of uniform cells), so now you can really come up with some creative print layouts without having your hands tied.

(9) You can change the background color for prints. Now you can choose any color as your background for printed pages. I know it sounds like a little thing, but it’s big.

(10) The Collections panel is now in the Develop Module, too. This one addition will dramatically increase your efficiency because now you don’t have to constantly switch back and forth between the Library Module and Develop Module, because you can get to all your collections and images from right within the Develop Module itself.

Have fun discovering the new and improved Adobe Lightroom 3!

Photo Editing Software for Mac

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Runtime - length of the film: 15m36s
Language: english
Skill level:
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Summary:

FotoTV has developed FotoTV-Tech, a forum within the FotoTV platform, dedicated to covering all technology related topics such as camera hardware, software services and products.

For the first installment FotoTV founder Marc Ludwig has invited photographer and podcaster Bastian Wölfle of Digitalupgrade.de, to discuss and demonstrate several photo-editing software applications for photographers using the Mac platform. The first and most basic photo viewing and editing application is Apple’s factory delivered Preview. Wölfle demonstrates a few of the features and explains that Preview offers basic image correction tools, cropping and rotation tools. A very impressive photo editing software tool is Cooliris.

Wölfle gives us an introduction to some of the stylish features including a stunning 3D viewing Wall, noting that it is the fastest way to browse photos from the web or computer desktop, as well as the fastest way to search Google Image Search. For photographers who have a story to tell, there is FotoMagico from Boinx.com, award-winning storytelling software for photographers. As Wölfle demonstrates, with just a few simple clicks photographers can turn pictures into a neat story, even mixing photos and audio soundtracks to create professional looking and sounding slide-shows that can be shared in high resolution.

One last and clever highlight of the video is Posterazor, a photo editing software that provides photographers with a fast and efficient way of cutting large file format photos which can be printed out and later assembled as a poster. The application is really helpful for photographers who have images that are too big to print on a home printer. Have fun photo-editing!

The Patch Tool

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Runtime - length of the film: 3m48s
Language: english
Skill level:
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Summary:

In this Photoshop tutorial, Karsten Franke gives step-by-step instructions regarding image repair with the patch tool.

The patch tool is another Photoshop repair tool that combines the selection behavior of the Lasso tool with the color blending properties of the healing brush tool. In a previous Photoshop tutorial with the healing brush tool, Franke worked with empty layers for his adjustments, but here with the patch tool, empty adjustment layers are not possible, therefore a copy of the background layer must first be made.

Franke shows that repairing parts of an image takes only a few seconds by following two simple steps. First select an area that you want to use as the area to be fixed. Then, drag the patch tool selection to another part of the image that has about the same color and texture as the area you want to replace. Release the mouse button and the patch tool completes the job.

In conclusion, this tool is ideal if your image has cracks, or stains, or blemishes etc. It is very similar to the healing brush tool except with the patch tool you can define a selection where you want the effects applied.

Photo Apps for the iPhone

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Runtime - length of the film: 11m46s
Language: english
Skill level:

Summary:

FotoTV has developed FotoTV-Tech, a forum within the FotoTV platform, dedicated to covering all technology related topics such as camera hardware, software services and products.

For this further installment of FotoTV Tech, founder Marc Ludwig has invited photographer and podcaster Bastian Wölfle of Bitnapping.tv, to discuss and demonstrate several innovative iphone applications.

Wölfle gives us his first introduction to a special iphone app capable of giving high quality and shake free photos. Some of the camera applications include guides and zoom, turning a normal iphone camera into something more professional. Another highlight is the iphone app "panorma" which takes a series of photos, pasting them together into one panorama photo.

Moving along, Ludwig explains the iphone app, "old camera" which gives special features such as silver, vignetting and sepia, definitely something special for photographers who grew up using a traditional color camera. Another very innovative iphone app is one that allows you to crop your photos right on your camera, as well as adjust exposures without any additional software needed.

Have fun with your iphone apps!

Repair with the Brush Tool

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Runtime - length of the film: 12m49s
Language: english
Skill level:
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Summary:

This Photoshop tutorial with Karsten Franke shows how to remove dust spots, scratches and imperfections using Photoshop’s Healing Brush Tool.

Franke starts with the necessary steps to preparing an image before retouching by pointing out the best way to protect your original image is to do all retouching work on a duplicate layer of the original image.

The healing brush tool corrects imperfections, causing them to disappear into the adjacent image by painting with sampled pixels from an image or pattern. Additionally, the healing brush also matches the texture, lighting, transparency, and shading of the sampled pixels to the pixels being healed in either aligned or non-aligned mode. As a result, the repaired pixels blend realistically with the rest of the image.

In conclusion, Franke notes that working with the healing brush is similar to using the clone stamp tool. However, as you move the healing brush over the area to be "healed" it produces a temporary blurred effect until the computer has time to calculate the finished result. For those not yet familiar with this tool the healing brush speeds up retouching immensely, brushing away imperfections, producing natural, almost magical results.

Civil War

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Runtime - length of the film: 21m12s
Language: english
Skill level:
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Summary:

In this film curator and photographer, Michael Ebert shows us select images from the outstanding Civil War Photographs Collection, which he meticulously digitally restored to their original quality.

During the challenging restoration process, Ebert reveals to FotoTV the previously unknown details he discovered about the everyday life of the people who lived and worked around, or fought in the American Civil War more than 150 years ago. To arrive at the best results possible, he used a Wacom Cintiq 21UX with interactive pen display, one of the industry’s most intuitive image editing tools.

“The Civil War was the world’s first major event to be documented in photographs, which makes the database of images a genuine treasure trove”, Ebert tells FotoTV. “In addition, the so-called collodion process -a flammable syrupy solution- was used at this time. This was a complicated process that posed great challenges for photographers at that time. It produced photographs of a very high level of technical quality on plates, allowing a high degree of enlargement. Nonetheless, over the years, many of the plates were broken or damaged.

For the project, the Library of Congress provided Ebert with original scans at sizes of more than 100 MB. Working with Adobe Photoshop on his computer and, using a pen applied directly onto the screen of the Cintiq 21UX, Michael Ebert then painstakingly restored the damaged images to their original quality. At the same time he enlarged individual details from the images to create entirely new perspectives on the nostalgic photos shot by American Civil War photographers, Mathew Brady, Timothy Sullivan and Alexander Gardner.

The retouched images were part of Ebert’s exhibition “The mirror with a memory”, which was on display as part of the Visual Gallery at the 2008 Photokina in Colgne, Germany.