Username:
Password:

User login

User Profile Fields Own View

Ryan Brenizer

2912_teaser_b.jpg
Runtime - length of the film: 10m19s
Language: english
Skill level:
Related films:

The Brenizer Method

Summary:

"Brenizer" should be a familiar name in the world of photography. It's a novel photo technique we've introduced in a previous video. Ryan Brenizer is the pioneer of this method and one of the most famous wedding photographers.
 
We met the New Yorker in Italy for an interview. Having started in journalism, he eventually found into photography and combined it with his passion for weddings.
 
He and his wife Tatiana are an experienced team. Ryan shares what's important to him in photography and what kind of response he tries to achieve.

Light Feathering Part 1

E-693-feathering-1-TEASER-big.jpg
Runtime - length of the film: 13m30s
Language: english
Skill level:
Related films:



Summary:

Master photographer Martin Krolop based in Cologne is here with the first in a series on lighting techniques. The technique presented here, known as light feathering allows the user to get the most out any given light source.

Important to get the key concepts before traversing further, Martin lays down the basics in a clear and concise manner. So when you do understand what you're doing, you will be able to apply this technique to your unique advantage. This is one of those "less is more" concepts, but careful attention to detail and placement are the factors that exploit the physics of light so that you can make full body shots illuminated with a uniform light... and who needs more than one light anyway?

Another for the lets keep it simple crowd...but so much more ... Jump in now as the rest will be based around this opening technique. Tune In it's happening NOW!!

Key light from behind

E707_teaser_b.jpg
Runtime - length of the film: 08m38s
Language: english
Skill level:

Summary:

Bert Stephani is not a photographer to stick to rules. He likes to innovate an experiment with the position of his key light, to achieve a special look.
 
A shaded spot in the outdoors is practical for decent portraits, but a little effort enables a very special look. Like every photographer Bert knows that you can accomplish very different results by only changing your lighting.
 
See how Bert makes use of his surroundings and settings to control his light. This is how he does portraits full of character.

Unconventional Light 7: LEDs

E_656_07_teaser_b.jpg
Runtime - length of the film: 12m55s
Language: english
Skill level:

Summary:

LEDs are another light source that are within anyone's budget. They come in different shapes and colors. Bert Stephani got an LED chain to spread on a ladder, which imitates a soft box.

Berts LED chain is even suitable as a background. See how he composes a harmonic Christmas setting by using different lights and props.

Don't shy away from experimenting with lights of any kind, the outcome might be stunning!

Unconventional Light 6: Beauty Light

E_656_06_teaser_b_02.jpg
Runtime - length of the film: 27m23s
Language: english
Skill level:

Summary:

Further into Bert Stephani's workshop the light gets really unconventional. He recreates Rembrandt lighting with a simple light bulb. Bert continues with a beauty shooting by using work halogen lights. The light is softened with surrounding curtains.

Neon tubes are rather large and thereby also have soft box potential. Their shape creates nice cat eyes for your model. Bert shows how he spontaneously implements ideas and flows from one setup to the next.

Malick Sidibé

1102_teaser_b.jpg
Runtime - length of the film: 10m14s
Language: french with english subtitles
Skill level:
Related films:


Summary:

Malick Sidibé is an African example of contemporary photography. He documented people of Mali and created a lasting image of his homeland.

Born before the age of digital photography, he represents the analogue process with strong conviction. He describes his sleepless work routine, as people queued up outside his photostudio.

See why Sidibé cherished his work and sees photography as the ultimate medium.

Unconventional Light 5: Backgrounds

E_656_05_teaser_b.jpg
Runtime - length of the film: 30m40s
Language: english
Skill level:

Summary:

Light should not be exclusive to a model but is great to design backgrounds. Bert Stephani starts from a black cardboard and creates a vignette by using a simple speedlight.

The background becomes more blurred the further it moves away from the subject. There are many tools to shape and color light on a background. Bert presents a variety of ways to create depth in some neat looking portraits.

Unconventional Light 4: Reflectors

E_656_04_teaser_b.jpg
Runtime - length of the film: 15m09s
Language: english
Skill level:

Summary:

Bert Stephani puts his self made softbox to use that he built previously. To create the impression of a window as a catch light, the light should be fairly close to the model.

Reflectors are another way to lighten up your subject. They can be used with any lightsource and even ambient light. Any reflective object with a wide surface is suitable for this task. See how Bert utilises curtains and even a survival blanket to make the most out of his light.

Unconventional Light 3: DIY Soft box

E_656_03_teaser_b.jpg
Runtime - length of the film: 18m15s
Language: english
Skill level:

Summary:

Bert Stephani analyses the ringflash shots he did between the previous session. He used it as fill light in combination with his diffused speedlight. By adjusting the power of the ringflash, he directly controls the contrast.

Soft boxes are an essential light shaping tool. Bert builds one himself in real time with mostly household items and a speedlight. This turns out in a very inexpensive light shaper which he will put to the test in the next session.

Unconventional Light 2: Strobe Light

E_656_02_teaser_b.jpg
Runtime - length of the film: 20m27s
Language: english
Skill level:

Summary:

Belgian photographer Bert Stephani knows how to turn a bare strobe light into a soft box with the help of his surroundings.

He likes to use the term of 'marinating' light, as light affects and is affected by its environment. Depending on the power, flashes can either be used as key or fill light.

Bert ultimately combines his strobe light with a diffused speedlight.